How to Ruin a Story

Maybe I”m just too hard on myself.

Our second fiction writing class put me on a high. Steve used each story in the group to point out what we’d done well and ways to improve. Our “homework” assignment was to either revise, add on, or start again. After rewriting/revising my original story last Thursday and Friday, I realized I’d made so many changes, it had morphed into something new. There’s not much action–my character is in her head, unaware the rest of the world doesn’t swim in the same pond she does. She sees people and events through her own perspective, but I had written the story in third person.

First I tried changing to first person, but I couldn’t make it work. Then I took out all references to outside events she was reacting to (politics, family issues) and tried to “live” in her mind. Finally, I reverted back to third person but changed it to present tense. Anyway, by yesterday morning, the story had been ripped apart and pasted back together so many times, it didn’t make sense. And I was frustrated. (I was rewriting scenes in my head at church yesterday morning–not a good sign!)

Since our story was due that night, I pulled out something else I’d been working on, and revised the point of view and tense to first person present. By 9 p.m. last night, my brain was fried. Of course I couldn’t sleep, wondering whether I should have plugged along with the first piece.

But back to my main point. I am so forgiving of others (at least I try to be).  But forgive myself? Forget it. My internal voice becomes so negative, I turn a small event into a rehash of my entire life, flaws and poor choices ringing in my ears.

This morning, though, I’ve moved past most of it, though some guilt/anxiety will always be with me, I’m afraid. I ran into a friend yesterday who said, “When all else fails, walk the dog.” Well, I can’t do that anymore, but I sure can get myself outside. I’m hoping a long, fast power walk around town will clear my head.

Then I’ll be ready to dive into that first story again–with a better attitude. This should be fun, right?

The End

Blank

My first short story is finished. I really thought I had a premise–a character who could only see her own political perspective.

But halfway through my 5 pages, I started slowing….way down. I hadn’t figured out how to end it. Though I finally came up with an idea, I am not happy with it. This morning, I ran across this post, which is helpful. I think it applies to short stories as well.

Writers often struggle with finding the exact right climax and resolution to their novels, memoirs an screenplays.

So much time and thought and writing goes into developing a compelling protagonist with a mysterious back story, deciding where is the exact right beginning of the story, how to make the action exciting and the book concept big, the details just right, the dialogue snappy, the setting exotic, the crisis disastrous…. (see more)

Martha Alderson also has some videos I’m going to watch. Then I’ll rethink what happens to my character and whether there’s a story there.

I’m also wondering if readers will be frustrated by this character. She’s not too likable and she doesn’t change much. I do look forward to Wednesday night’s class to see what others think about her.

Anxiety

I left my first class with Steve Watkins filled with anxiety. Not that anxiety is something new to me. I seem to live with it these days, though that’s another story.

But his instruction to write five pages of a short story by Sunday night made my stomach flip. I tend to write short poems, short articles for the Front Porch, and short pieces of prose. I’d spent the day still mourning my sweet dog, feeling like my head wasn’t working right, and noticing all my conversations seemed slightly off.

So when he said: Write! I panicked. And couldn’t sleep. Which is also nothing new.

But this morning at my 7 a.m. dental appointment (who goes for a cleaning at dawn?), I had an inspiration. I can’t say more about it or I”ll be revealing too much about my dentist. But I came up with a kernel of a story that interests me.

Writing inspiration comes in the strangest places…..

Advice From a Friend

Awww, just get over yourself.

Yep, that’s what he said, nicely, but to the point. Steve Watkins, author and yoga teacher happens to live in my town. I met him a few months ago at a reading/musical event, and I asked if he’d be willing to teach a class at my studio.

Yes, he said. And–wow, we’re doing it.

Steve is not only a great writer (I’ve read his book of short stories –My Chaos Theory- and I’m falling in love with Dewey right now). he’s also a down-to-earth really nice guy. As we chatted about the class, relationships, and writing, he urged me to send some of my poetry to a local literary journal.

I hesitated, saying I wasn’t sure I wanted to be so public and on display (which is kind of stupid since I write here so often). And that’s when he said, smiling: Get over yourself.

I’ve been thinking about it ever since.

Seth Godin talks about not only getting to do the good parts of anything:

You don’t get to just do the good parts. Of course. In fact, you probably wouldn’t have chosen this path if it was guaranteed to work every time.

The implication of this might surprise you, though: when the tough parts come along, the rejection and the slog and the unfair bad breaks, it makes sense to welcome them. Instead of cursing or fearing the down moments, understand that they mean you’ve chosen reality, not some unsustainable fantasy. It means that you’re doing worthwhile, difficult work, not merely amusing yourself.

Facing comments about my writing, feeling the sting of rejection, these aren’t the parts of writing I look forward to. I don’t write to become well known. I do write because I love telling stories with words. So I can either keep them all contained in my new MacBook Pro, or I can send them out to the world and hope they find, as I’ve said before, “an audience of one.”

Steve offered to take a look at three of my recent poems, and he sent back solid suggestions and ways for me to rethink them. What a gift.

The very thing you’re seeking only exists because of the whole. We can’t deny the difficult parts, we have no choice but to embrace them.~Seth Godin

On the Green

We climbed out of the car, dad leaning on the side as he adjusted his legs. His unsteadiness had worsened, but I didn’t want to hover.

The putting green was in name only. It had turned in late August to a field of dry stalks, bare splotches, hardly a place I’d imagined to share an afternoon with him.

I’d asked  him earlier if he would teach me to hit a golf ball, a game he played regularly before. Before the cancer. Before the strokes.

“Do you know why we’re here?” I asked.

He shook his head. “Not really.”

I tried to decide which hurt more, losing dad minute by minute or knowing eventually he’d be gone.

Fifteen years earlier, the doom and gloom doctors had given him a three-percent chance of survival. He’d made it 15 years, though not without lots of intervention, many hospital visits, and my mother–a woman who would not let him die.

“Come on, I’ll try,” I said, reaching for a 20-year old golf putter. Not that I cared about golf. It had seemed, in the moment, a way to connect to an easier time with him.

As I hit ball after ball, he’d watch and then say, “good job,” as the ball veered off to the woods or I’d miss it completely.

Twenty minutes later, his already wobbly legs began to curve outward even more. Arthritis had made a space for a basketball between his knees, and I knew he was tired.

Later, he rested in the yard, staring at familiar plantings his mother had grown years before.

“So, what did you and Susie do?” Mom asked, bringing him a cup of coffee.

Quiet.

“Susie,” he said, his eyes betraying him. “What did we do?”

We shared a moment, dad. We shared a moment.