I always did something I was a little not ready to do. I think that’s how you grow. When there’s that moment of ‘Wow, I’m not really sure I can do this,’ and you push through those moments, that’s when you have a breakthrough.
Marissa Mayer
I am not sure I always did this. But at some point in my life, I wanted to figure things out. Printer broken? Take it apart. Need a room networked? Run the cables.
So I am trying to do this with my printing as well. But, wow, does it take time. There are so many variables that can go wrong- ink, lock up, type, pressure, humidity in the air. Each time I get ready to print, I check the packing, the placement of the base or the type, and even the different paper styles I use.
People wonder why I even bother to do this. “You can print whatever you want digitally now,” they say. “This looks like too much work.”
Yes, but it’s fun work. It’s the figuring it out that I love. And when I get a print that is nearly perfect (because nothing in letterpress is perfect), I smile with satisfaction.

I think a lot about fear. Fear of flying, situations, world events. Sometimes it’s crippling.
I was bemoaning to a friend in the shop yesterday that I hate “selling.”
and I printed some of these bookmarks to hand out at our party at the studio tonight. Though I prefer working with my metal and wood type, I can see why people design with Illustrator and use polymer plates on their presses. Designing for polymer does give you more flexibility with type faces and sizes. And it’s faster–stick it on the base and print. Then wipe it off, peel it off the base, and you’re finished. Of course, the press still needs to be cleaned, which takes time.